I’ve had so many things going on over the last few months that I’ve mostly failed to blog about any of them. I’d like to say it’s because I’ve been too busy doing to be writing, but mostly, it’s been more a matter of failing to organize my thoughts well enough to write them down. And then, time goes by, and with it another project (or ten) and the moment passes.
Anyway, here’s another ‘one I made earlier’. It started with a shawl. No, further back, it started with a KAL on Ravelry in the group devoted to probably my absolute favorite dyer, Twisted Fiber Arts. (Seriously: I can’t in all honesty recommend clicking that link. It’s not safe. Your money, possibly your life-savings and the deeds to your house, will be in the hand of the ultra-talented Meg before you can say “CVV number”). A Ravelry friend had destashed a double-length ‘Evolution’ skein to me a few months ago, and here was a chance to use it. These are skeins dyed in a gently evolving gradient of colors, some of which can be quite alarming on their own, but which always seem to work miraculously as a continuum. I really don’t know how Meg does it, but she does, time after time.
While I was as unsure as my friend had been about the colors (it was the salmon pink on one end of the gradient that bothered me), I was sure of two things: one, the yarn itself was an exceptionally high-quality blend of merino and silk that would be a pleasure to knit with (even in salmon pink); two, the final combination would probably prove as entrancing as every other TFA yarn I’ve used (and if not, would make a great gift). Also, I seem unable to resist a KAL, although I’m not sure why, and daren’t stop to analyse it. So, given that I had no other clear plans for 660 yards of luxury yarn in a random color I didn’t think I liked very much, I joined in and set to making a ‘crazy lace’ Citron shawl.
Now, Citron is a shawl of mind-bogglingly boring construction and curiously satisfying effect. It is semi-circular and comprises alternating sections of plain stockinette with sections of ruched stockinette (i.e. twice as much endless stockinette per inch of fabric). And of course, being a shawl, that means it’s knit flat, which in turn means that half of all that endless stockinette needs to be purled. Yay. Go me for the project from Hell. Well, crazy lace improves it considerably. It means that you replace the normal stockinette portions with whatever lace chart you can fit into the stitch count and eight or ten rows. That’s pretty good fun, and suits me very well, as I’ve noticed I tend to get a tad bored with a lace pattern that repeats itself more than about four times. Also, I decided to use the ruched portions (which would, while eating yarn, and taking hours, also at least hide a multitude of sins) to learn to knit in the continental style, with the yarn in my left hand. (This in preparation for a humungous colorwork project – another KAL – about which, certainly, more soon.)
So, anyway – cutting to the chase, eventually I had a semi-circular shawl that used 657 of my 660 yards, and where the final section rows were 650 stitches long. That’s a LOT of stitches to purl. But hey, the yarn was nice, and the long rows made short work of the salmon pink, and lo! the whole thing was soft, an interesting color, and a pleasure to wear.
At least, it would have been if the dratted thing hadn’t kept slipping off my shoulder every few minutes. It’s a problem as old as humans wearing garments, I suspect, and the solution is a pin.
Now, shawl pins I do have. I’ve made several since I started metalworking and collecting handknit shawls. But none of them was right for this shawl. And I did have plans to try out another design, which looked as though it would do the trick.
So I went back to approximately the third century, and whipped up a Romano-Celtic classic: a pennanular cloak-pin in sterling silver. You pin the shawl, and then twist the ring closed to secure it. It does the job perfectly. Simple, but effective.
I am utterly thrilled with the notion that a design so simple, and so ancient still works and still has a job to do for someone living in the twenty-first century, and I’m tickled that, despite the many centuries of technological advances made by other people, it’s still pretty close to cutting-edge for my own humble metalworking skills. And as a side-note, I’m additionally more than a little amused at quite how perplexed the other students in my class are by my predilection for such peculiar artefacts.
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